Kay Whitney, “Sculpture Eats Iron, a Conversation with Catherine Lee,” Sculpture Magazine, Sep-Oct 2023, pp.50-61
Neil Fauerso, “Literally Catherine Lee”, Glasstire, September 2021, https://glasstire.com/2021/09/08/literally-catherine-lee/
* Note – going forward we will only be listing articles, books, major reviews *
Victor Cassidy, Artistic Collaboration Today, “Catherine Lee & Shay Ishii,” pub. McFarlane & Co, Jefferson NC & London 2018
Lana Sweeten-Shults, “Kemp Features Female Artists,” Times Record News, Wichita Falls, Texas, USA, 2015, web version
Victor Cassidy. “Catherine Lee / Always Inspired, Always At It,” Ceramics / Art & Perception Issue 99, Spring 2015
Portfolio / Private Views / Cologne, Modern Painters, June 2014
Steve Bennett, “Artist Always on the Grid,” mySA, San Antonio, Texas, USA, September 10, 2014
Gary Sweeney, “Questions for Catherine Lee: An interview by artist Gary Sweeney,” San Antonio Current, San Antonio, Texas, USA, September 2014, web version
Rachel Adams, “The Artist as Lens,” Arts & Culture Texas, ArtStars Media, LLC, Dallas, Texas, USA, September 2014
Lily Wei, “In Series,” Catherine Lee / West Texas Triangle, Charta Books, Milan, Italy, 2012
Stephen Westfall, “On the Edge,” Catherine Lee / West Texas Triangle, Charta Books, Milan, Italy, 2012
Hearne Pardee, “Light and Structure,” Catherine Lee / West Texas Triangle, Charta Books, Milan, Italy, 2012
Katie Geha, “Interview with Catherine Lee,” Glasstire, Houston, Texas, USA, June 21, 2012, web version
Georgia Temple, “A Lifetime Creating Art,” Midland Reporter-Telegram, Midland, Texas, USA, May 25, 2012
Hearne Pardee, “A Yellow Patch of Wall,” Artcritical, April 1, 2012, web version
Birgitta Lamparth, “Der Auftakt ist International,” Rhein Main Presse, May 20, 2011
Nicole Mieding, “Rhythmus und Ruhe Liegen in der Reduktion,” Rhein-Zeitung, May 13, 2011
Steve Bennett, “Exhibition Highlights Memories and Anxieties – Bodo Korsig and Catherine Lee,” San Antonio Express-News, March 16, 2011
Steve Bennett, “Ceramic Artist’s Touch Endures in Retrospective (a Steve Reynolds exhibition, curated by Catherine Lee),” San Antonio Express-News, January 29, 2011
“Catherine Lee,” Artico Art Magazine, June 29, 2009, via Sculpture Magazine
Kathleen Whitney, Catherine Lee, the Clad Works, pub. Annely Juda Fine Art, London
2008, catalog
Stephen Westfall, “Catherine Lee,” Art in America, September 2008
Suzanne Russell, “Catherine Lee” Kopenhagen Magasin, April 1, 2008
Jeanne Claire van Ryzin, “XLent: Three Questions with Catherine Lee,” The Austin American-Statesman, February 21, 2008
“Catherine Lee / Bodo Korsig at the dberman gallery,” The Austin American Statesman, February 16, 2008
“Goings On About Town: Art”, The New Yorker, January 21, 2008, listings, web version
Rachel Cook, ‘Catherine Lee, Moving Fluidly through the Landscape’, The Austin Chronicle, January 18, 2008
Jerry Saltz, “Critic’s Pick: Catherine Lee,” New York Magazine, January 8, 2008
Carla Esposito Hayter, The Monotype, The History of a Pictorial Art (pp. 24, 206-207), Skira, Milan, 2007
Benjamin Genocchio, “Catherine Lee: The Mark Paintings 1977-79,” The New York Times, December 21, 2007
Dutch Rall & Dominique Bellavia, InContext, KLRU-TV, PBS, September 2007, PBS video, KLRU-PBS, produced by Dutch Rall and Dominique Bellavia, 2007
“Découverte: Lou Ragas enchanté en visite à l’hôtel des Arts,” Var-Matin, April 22, 2006
Annely Juda – A Celebration, Annely Juda Fine Art, 2007, catalog
Catherine Lee, Musee de Arte Moderne, St. Etienne, France, 2006, catalog
Catherine Lee, Hotel des Arts, Toulon, France 2006, catalog
“Toulon, Expos: Catherine Lee et les sœurs Théret,” Var-Matin, April 15, 2006
Nancy Princenthal, “Catherine Lee: Every Form Reflects a Force,” Catherine Lee, The Irish Museum of Modern Art, Dublin, Charta, Milan, 2005, catalog
Lorand Heygi, “Despite the Silence of Things,” Catherine Lee, The Irish Museum of Modern Art, Dublin, Charta, Milan, 2005, catalog
Caoimhin Mac Giolla Leith, “Assortments: The Art of Catherine Lee,” Catherine Lee, The Irish Museum of Modern Art, Dublin, Charta, Milan, 2005, catalog
Nancy Princenthal, “Catherine Lee,” Art in America, December 2004
Steve Reynolds, “Catherine Lee,” Voices of Art, December 2004
Dan R. Goddard, “Shards Recalls Remnants of Ancient Civilizations,” San Antonio Express-News, November 29, 2004
Elaine Wolfe, “Say It Again,” San Antonio Current, November 11, 2004
Reena Jana, “Catherine Lee,” ArtNews, November 2004
Catherine Lee, “On Things of Truth and Beauty,” Shards. The Work of Catherine Lee, The Southwest School of Art, San Antonio, TX, 2004, catalog
Francis Colpitt, “In the Realm of the Pictorial,” Shards. The Work of Catherine Lee, The Southwest School of Art, San Antonio, TX, 2004, catalog
Elizabeth Ferrer, “An Archaeology of Form: Catherine Lee,” Shards. The Work of Catherine Lee, The Southwest School of Art, San Antonio, TX, 2004, catalog
Robert C. Morgan, Catherine Lee, Galerie Academia, Salzburg, Austria, 2000, catalog
Lily Wei, “Catherine Lee,” Tema Celeste, February 2000
Enrique Juncosa, “Choreography and Metal,” Catherine Lee, Galleria Carles Tache, Barcelona, 2000, catalog
Johnathan Goodman, “Catherine Lee,” Sculpture Magazine, January 2000
Lance Esplund, “The More the Merrier,” Modern Painters, Winter 1999
Hearne Pardee, “New York Reviews: Catherine Lee,” Artnews, October 1999
Faye Hirsch, “Placing Memory: Catherine Lee’s Alphabet’s Series,” Catherine Lee: the Alphabet Series, 2nd edition, University of Washington Press, NYC, 1999, catalog
Carter Ratcliff, “The Art of Catherine Lee,” Catherine Lee: the Alphabet Series, 2nd edition, University of Washington Press, NYC, 1999, catalog
Helmut Friedel and Ulrich Wilmes, Das Gedächt öffnet seine Tore; die Kunst der Gegenwart im Lehbachhaus München, Hatje Cantz Verlag, 1999, catalog
Kenneth J. Endick, “Elemental Art,” Express-Times, Easton, PA, September 24, 1999
Robert C. Morgan, “Catherine Lee: Sentinels,” Review, September 1999
David Carrier, Garner Tullis and the Art of Collaboration, GTW Press 1998
Graham Shearing, “Collaboration,” Pittsburgh Tribune-Review, November 1, 1998
Catherine Lee, “The Making of the Thing,” Tema Celeste, October-December 1998
Gudrun Schmidt-Esters, “Steinzeitliche Grube,” Keramic Magazin, April 1998
Elena Di Raddo, “Catherine Lee,” Tema Celeste, March – April 1998
Jurgen Raap, “Catherine Lee,” Kunstforum, International, April – June 1998
Kyle MacMillan, “Artistry in Bronze,” Sunday World Herald, April 5, 1998
Catherine Lee, Gallery Kasahara 1972 – 1997, Galerie Kasahara, Osaka, 1998, catalog
Dan O’Kane, “Catherine Lee from A to Z,” The Reader, March 5, 1998
Von Renate Roos, “Die Zeit steht heir still,” Kolner Stadt – Anzelger, February 7- 8, 1998
Sandy Thompson, “Catherine Lee,” Artweek, January 1998
Faye Hirsch, “Placing Memory: Catherine Lee’s Alphabet’s Series,” Catherine Lee: the Alphabet Series, NYC: Pamela Auchincloss, 1997, catalog.
Carter Ratcliff, “The Art of Catherine Lee,” Catherine Lee: the Alphabet Series, NYC: Pamela Auchincloss, 1997, catalog.
Geijutsu Shincho, 2nd edition, Tokyo 1996.
Catherine Lee, Galerie Academia, Salzburg, Austria: Galerie Academia, 1996, catalog.
Dan R. Goddard, San Antonio Express-NewsApril 28, 1996
Wolfgang Richter, ‘Im Dialog der Elemente das Maß feiner Poesie’, Salzburger Nachrichten
April 18, 1996
Pepe Karmel, The New York Times
January 5, 1996
Alicia Faxon, ‘Figuration Forward’, Art New England
June-July 1996
Eleanor Rait, Recent Acquisitions 1991-1995, pub. Hofstra Museum
1995 (catalog)
‘Catherine Lee’, Sankei, Tokyo
December 31, 1995
Helmut Friedel, ‘Color is Indeed a Body’, pub. Mizuma Gallery, Tokyo
1995 (catalog)
Marjaana Toiminen, ‘Retretin Kesa: U. S. Print’, Grafiikanlehti, Finland
May 23, 1995
Oystein Hjort, ‘Between Sculpture and Painting’, Politiken, Copenhagen
February 3, 1995
Eva Pohl, ‘Infinity in Perspective’, Berlingske Tidende
January 20, 1995
David Carrier, ‘Studio: Catherine Lee’, Sculpture
November 1994
Marsha Miro, ‘Painting and Sculpture’, Detroit Free Press
March 11, 1994
‘La Differenzia Tra i Sesi Nell’Arte’, Tema Celeste
Winter 1994
Judith Trepp, ‘Zurich, 5 One man Shows’, Art News
January, 1994
Daniel Kurjakovic, ‘Frischer Wind von Westen’, Zurichsee-Zeitung
Sept 11, 1993
Faye Hirsch, ‘Catherine Lee at Galerie Lelong’, Art in America
September 1993
‘Prints and Photographs’, The Print Collector’s Newsletter
July-August 1993
Hans W. Langwallner, ‘Ex Nihilo. Day and Night’, Nike, München
August 1993
Angelo Trimarco, ‘Italia-America’, Tema Celeste
autumn 1993
Arturo Schwartz, ‘Una Mostra da Non Perdere’, Segno
summer 1993
David Carrier, ‘Italia-America’, Segno, Pescara, Italy
summer 1993
Partners, pub. Annely Juda Fine Art, London
1993 (catalog)
Carla Steininger, ‘Back to the Elementary Prerequisites of Art’, Salzburger Nachrichten
April 15, 1993
Demetrio Paparoni, ‘The Self-Regulation of the System’, Italia-America, L’astrazione Ridefinita, Galleria Nazionale d’Arte Moderna, San Marino, Italy
1993 (catalog)
Danile Kurjakovic, ‘Frischer Wind von Westen’, Zürichsee-Zeitung
September 11, 1993
‘Catherine Lee’, The Print Collector’s Newsletter
July/Aug 1993
Catherine Lee, pub. Galerie Academia, Salzburg, Austria
1993 (catalog)
Enrique Juncosa, ‘Catherine Lee’, Lapiz, Madrid
May 1993
Gill Saunders, ‘Sculpture with it’s Back to the Wall’, Women’s Art Magazine, London
May 1993
William Feaver, ‘Catherine Lee’, The Sunday Observer, London
March 21, 1993
Catherine Lee, pub. Annely Juda Fine Art, London
1993 (catalog)
David Carrier, ‘La vita delle forme nell’arte di Catherine Lee’, Titolo, Perugia
Autumn 1992
Elio Cappuccio, ‘Verso Bisanzio, Con Disincanto’, Sergio Tossi Arte Contemporanea, Prato, Italy
1992 (catalog)
Gerhard Finckh, Geteilte Bilder – Das Diptychon in der neuen Kunst, Museum Folkwang, Essen, Germany
1992 (catalog)
Sister Wendy Beckett, Art and the Sacred, Random Century, Sydney, Australia
1992
Catherine Lee, Galerie Academia, Salzburg
1992 (catalog)
Jacqueline Brody, The Print Collector’s Newsletter
July/August 1992
Peter Moseneder, ‘Ausgestossen’, Nachrichten, Linz
December 4, 1992
Peter Klimitsch, ‘Austellung, Catherine Lee’, Kurier, Linz, Austria
December 3, 1992
Oystein Hjort, ‘Forfinet Forhold til Farven’ Politiken, Copenhagen
December 8, 1992
Torben Weirup, ‘En Amerikaner i Copenhagen’, Berlingske Tidende
November 22, 1992
Catherine Lee, ‘The Question of Gender in Art’, Tema Celeste
Autumn 1992
Maribel Koniger, ‘Catherine Lee’, Tema Celeste
Autumn 1992
Joachim Goetz, ‘Der Bildgrund und die Oberfläche’, Trostberger Tagblatt
June 19, 1992
Barbara Reitter, ‘Mit Sauer und Feuer’, Bayerische Staatszeitung, München
June 12, 1992
Alexander Hosch, ‘Archaische Mittel, Postmoderne Kunst’,
also appeared in: Rottaler Anzeiger / Grafenauer Anzeiger / Alt-Neuöttinger Anzeiger / Deggendorfer Zeitung / Bayerwald-Bote Regen / Passauer Neue Presse
June 6, 1992,
Gert Gliewe, ‘Catherine Lee im Lenbachhaus’, Abendzeitung, München
June 2,1992
Barbara Reitter, ‘Catherine Lee im Lenbachhaus’, Donau-Kurier
May 22, 1992
Claudia Jaeckel, ‘Die Freiheit des Geistes’, Süddeutsche Zeitung, Munich;
also Ebersberg / Starnberg / Bad Tölz
May 26, 1992
Helmut Friedel, ‘Catherine Lee’, Outcasts, New Works by Catherine Lee’, Städtische Galerie im Lenbachhaus, Munich
1992 (catalog)
David Carrier, ‘The Life of Forms in Catherine Lee’s Art’, Outcasts, New Works by Catherine Lee, Städtische Galerie im Lenbachhaus, Munich
1992 (catalog)
Demetrio Paparoni, ‘Conversazione con Catherine Lee’, Tema Celeste, Italian edition
Autumno 1992
Robert C. Morgan, ‘The New Endgame’, Tema Celeste
February 1992
Petra Kipphof, Journal
January 1992
Kanpo, Tokyo (cover illustration)
November 1991
‘Art for Children’s Survival’, Unicef
1991 (catalog)
Anne Rüegsegger, ‘Catherine Lee’, Artis
May 1991
‘IIIème Biennale de Sculpture’, Monte Carlo
1991 (catalog)
‘Height Width Length’, Weatherspoon Art Gallery, University of North Carolina
1991 (catalog)
Geraldine Norman, The Independent, London
September 24, 1990
David Carrier, Art International
Summer 1990
Walter Thompson, Art in America
June 1990
Frances de Vuono, Art News
May 1990
Peggy Cyphers, Arts Magazine
March 1990
‘XX Century Sculptures’, Galerie Academia, Salzburg
1990 (catalog)
Susan Tallman, ‘Contemporary Woodblock Prints’, Jersey City Museum, NJ
1989 (catalog)
Dan Sundell, Hufvudstadsbladet, Helsinki
December 11, 1989
Timo Valjafka, Helsingin Sanomat, Helsinki
December 6, 1989
Christine Temlin, The Boston Globe
July 27, 1989
Pamela Auchincloss, ‘Geometry and Abstraction’, Persons/Lindell Gallery, Helsinki
1989 (catalog)
William Feaver, The Observer, London
April 12, 1989
Mary Rose Beaumont, Arts Review
March 24, 1989
William Packer, The Financial Times, London
March 21, 1989
Stephen Westfall, ‘Catherine Lee’, Annely Juda Fine Art
1989 (catalog)
Susan Tallman, ‘The Woodcut in the Age of Mechanical Reproduction’, Arts Magazine
January 1989
Cathy Curtis, The Los Angeles Times
July 1, 1988
Phyllis Plous, ‘Monotypes Today’, Collaborations in Monotype, University Art Museum, University of California, Santa Barbara, CA
1988 (catalog)
Patricia Lowry, The Pittsburgh Press
February 23, 1988
Bill Holmsak, Tribune Review, Greensburg, PA
February 14, 1988
John Caldwell, Ten Americans, Carnegie Museum of Art
1987 (catalog)
Josef Woodward, Santa Barbara News Press
August 29, 1987
Barry Schwabsky, Arts Magazine
Summer 1987
John Russell, The New York Times
April 17, 1987
‘Catherine Lee’, John Davis Gallery
1986 (catalog)
‘Art on Paper’, Weatherspoon Art Gallery, University of North Carolina
1986 (catalog)
David Carrier, Art in America
October 1986
Dan Cameron, ‘Report from the Front’, Arts Magazine (photo)
Summer 1986
Tiffany Bell, Arts Magazine
Summer 1986
Susan Fisher, New Art Examiner
June 1986
Kay Larson, New York Magazine
May 19, 1986
John Russell, ‘Bright Young Talents’, The New York Times
May 18, 1986
John Russell, The New York Times
May 2, 1986
Steven Reynolds, Texans Past and Present, University of Texas
1986 (catalog)
‘Centennial Exhibition’, MCAD, Minneapolis Institute of Art
1985 (catalog)
Vivian Raynor, The New York Times
July 26, 1985
‘Contemporary Abstract Painting’, Center for the Arts, Muhlenberg College
1983 (catalog)
David Carrier, ‘Catherine Lee’, Arts Magazine
Summer 1984
John Russell, The New York Times
May 11, 1984
William Zimmer, Catherine Lee, University of Texas
1983 (catalog)
Jan Tips, San Antonio Express News
May 1, 1983
Vivian Raynor, The New York Times
October 10, 1982
Daniel Grant, Newsday (photo)
February 28, 1982
Robert C. Morgan, ‘Abstract Painting, the New Pictorialism’, New Directions, Museum of Art, Ft Lauderdale
1981 (catalog)
Sam Hunter, New Directions, Museum of Art, Ft Lauderdale
1981 (catalog)
John Russell, The New York Times
July 19, 1981
John Ittner, The New York Post
December 14, 1979
Hilton Kramer, The New York Times
December 14, 1979