Kay Whitney, “Sculpture Eats Iron, a Conversation with Catherine Lee,” Sculpture Magazine, Sep-Oct 2023, pp.50-61

Neil Fauerso, “Literally Catherine Lee”, Glasstire, September 2021,

* Note – going forward we will only be listing articles, books, major reviews *

Victor Cassidy, Artistic Collaboration Today, “Catherine Lee & Shay Ishii,” pub. McFarlane & Co, Jefferson NC & London 2018

Lana Sweeten-Shults, “Kemp Features Female Artists,” Times Record News, Wichita Falls, Texas, USA, 2015, web version

Victor Cassidy. “Catherine Lee / Always Inspired, Always At It,” Ceramics / Art & Perception Issue 99, Spring 2015

Portfolio / Private Views / Cologne, Modern Painters, June 2014

Steve Bennett, “Artist Always on the Grid,” mySA, San Antonio, Texas, USA, September 10, 2014

Gary Sweeney, “Questions for Catherine Lee: An interview by artist Gary Sweeney,” San Antonio Current, San Antonio, Texas, USA, September 2014, web version

Rachel Adams, “The Artist as Lens,” Arts & Culture Texas, ArtStars Media, LLC, Dallas, Texas, USA, September 2014

Lily Wei, “In Series,” Catherine Lee / West Texas Triangle, Charta Books, Milan, Italy, 2012

Stephen Westfall, “On the Edge,” Catherine Lee / West Texas Triangle, Charta Books, Milan, Italy, 2012

Hearne Pardee, “Light and Structure,” Catherine Lee / West Texas Triangle, Charta Books, Milan, Italy, 2012

Katie Geha, “Interview with Catherine Lee,” Glasstire, Houston, Texas, USA, June 21, 2012, web version

Georgia Temple, “A Lifetime Creating Art,” Midland Reporter-Telegram, Midland, Texas, USA, May 25, 2012

Hearne Pardee, “A Yellow Patch of Wall,” Artcritical, April 1, 2012, web version

Birgitta Lamparth, “Der Auftakt ist International,” Rhein Main Presse, May 20, 2011

Nicole Mieding, “Rhythmus und Ruhe Liegen in der Reduktion,” Rhein-Zeitung, May 13, 2011

Steve Bennett, “Exhibition Highlights Memories and Anxieties – Bodo Korsig and Catherine Lee,” San Antonio Express-News, March 16, 2011

Steve Bennett, “Ceramic Artist’s Touch Endures in Retrospective (a Steve Reynolds exhibition, curated by Catherine Lee),” San Antonio Express-News, January 29, 2011

“Catherine Lee,” Artico Art Magazine, June 29, 2009, via Sculpture Magazine

Kathleen WhitneyCatherine Lee, the Clad Works, pub. Annely Juda Fine Art, London
2008, catalog

Stephen Westfall, “Catherine Lee,” Art in America, September 2008

Suzanne Russell, “Catherine Lee” Kopenhagen Magasin, April 1, 2008

Jeanne Claire van Ryzin, “XLent: Three Questions with Catherine Lee,” The Austin American-Statesman, February 21, 2008

“Catherine Lee / Bodo Korsig at the dberman gallery,” The Austin American Statesman, February 16, 2008

“Goings On About Town: Art”, The New Yorker, January 21, 2008, listings, web version

Rachel Cook, ‘Catherine Lee, Moving Fluidly through the Landscape’, The Austin Chronicle, January 18, 2008

Jerry Saltz, “Critic’s Pick: Catherine Lee,” New York Magazine, January 8, 2008

Carla Esposito HayterThe Monotype, The History of a Pictorial Art (pp. 24, 206-207), Skira, Milan, 2007

Benjamin Genocchio, “Catherine Lee: The Mark Paintings 1977-79,” The New York Times, December 21, 2007

Dutch Rall & Dominique Bellavia, InContext, KLRU-TV, PBS, September 2007, PBS video, KLRU-PBS, produced by Dutch Rall and Dominique Bellavia, 2007

“Découverte: Lou Ragas enchanté en visite à l’hôtel des Arts,” Var-Matin, April 22, 2006

Annely Juda – A Celebration, Annely Juda Fine Art, 2007, catalog

Catherine Lee, Musee de Arte ModerneSt. Etienne, France, 2006, catalog

Catherine Lee, Hotel des Arts, Toulon, France 2006, catalog

“Toulon, Expos: Catherine Lee et les sœurs Théret,” Var-Matin, April 15, 2006

Nancy Princenthal, “Catherine Lee: Every Form Reflects a Force,” Catherine Lee, The Irish Museum of Modern Art, Dublin, Charta, Milan, 2005, catalog

Lorand Heygi, “Despite the Silence of Things,” Catherine Lee, The Irish Museum of Modern Art, Dublin, Charta, Milan, 2005, catalog

Caoimhin Mac Giolla Leith, “Assortments: The Art of Catherine Lee,” Catherine Lee, The Irish Museum of Modern Art, Dublin, Charta, Milan, 2005, catalog

Nancy Princenthal, “Catherine Lee,” Art in America, December 2004

Steve Reynolds, “Catherine Lee,” Voices of Art, December 2004

Dan R. Goddard, “Shards Recalls Remnants of Ancient Civilizations,” San Antonio Express-News, November 29, 2004

Elaine Wolfe, “Say It Again,” San Antonio Current, November 11, 2004

Reena Jana, “Catherine Lee,” ArtNews, November 2004

Catherine Lee, “On Things of Truth and Beauty,” Shards. The Work of Catherine Lee, The Southwest School of Art, San Antonio, TX, 2004, catalog

Francis Colpitt, “In the Realm of the Pictorial,” Shards. The Work of Catherine Lee, The Southwest School of Art, San Antonio, TX, 2004, catalog

Elizabeth Ferrer, “An Archaeology of Form: Catherine Lee,” Shards. The Work of Catherine Lee, The Southwest School of Art, San Antonio, TX, 2004, catalog

Robert C. MorganCatherine Lee, Galerie Academia, Salzburg, Austria, 2000, catalog

Lily Wei, “Catherine Lee,” Tema Celeste, February 2000

Enrique Juncosa, “Choreography and Metal,” Catherine Lee, Galleria Carles Tache, Barcelona, 2000, catalog

Johnathan Goodman, “Catherine Lee,” Sculpture Magazine, January 2000

Lance Esplund, “The More the Merrier,” Modern Painters, Winter 1999

Hearne Pardee, “New York Reviews: Catherine Lee,” Artnews, October 1999

Faye Hirsch,  “Placing Memory: Catherine Lee’s Alphabet’s Series,” Catherine Lee: the Alphabet Series, 2nd edition, University of Washington Press, NYC, 1999, catalog

Carter Ratcliff, “The Art of Catherine Lee,” Catherine Lee: the Alphabet Series, 2nd edition, University of Washington Press, NYC, 1999, catalog

Helmut Friedel and Ulrich WilmesDas Gedächt öffnet seine Tore; die Kunst der Gegenwart im Lehbachhaus München, Hatje Cantz Verlag, 1999, catalog

Kenneth J. Endick, “Elemental Art,” Express-Times, Easton, PA, September 24, 1999

Robert C. Morgan, “Catherine Lee: Sentinels,” Review, September 1999

David Carrier, Garner Tullis and the Art of Collaboration, GTW Press 1998

Graham Shearing, “Collaboration,” Pittsburgh Tribune-Review, November 1, 1998

Catherine Lee, “The Making of the Thing,” Tema Celeste, October-December 1998

Gudrun Schmidt-Esters, “Steinzeitliche Grube,” Keramic Magazin, April 1998

Elena Di Raddo, “Catherine Lee,” Tema Celeste, March – April 1998

Jurgen Raap, “Catherine Lee,” Kunstforum, International, April – June 1998

Kyle MacMillan, “Artistry in Bronze,” Sunday World Herald, April 5, 1998

Catherine Lee, Gallery Kasahara 1972 – 1997, Galerie Kasahara, Osaka, 1998, catalog

Dan O’Kane, “Catherine Lee from A to Z,” The Reader, March 5, 1998

Von Renate Roos, “Die Zeit steht heir still,” Kolner Stadt – Anzelger, February 7- 8, 1998

Sandy Thompson, “Catherine Lee,” Artweek, January 1998

Faye Hirsch, “Placing Memory: Catherine Lee’s Alphabet’s Series,” Catherine Lee: the Alphabet Series, NYC: Pamela Auchincloss, 1997, catalog.

Carter Ratcliff, “The Art of Catherine Lee,” Catherine Lee: the Alphabet Series, NYC: Pamela Auchincloss, 1997, catalog.

Geijutsu Shincho, 2nd edition, Tokyo 1996.

Catherine Lee, Galerie Academia, Salzburg, Austria: Galerie Academia, 1996, catalog.

Dan R. GoddardSan Antonio Express-NewsApril 28, 1996

Wolfgang Richter, ‘Im Dialog der Elemente das Maß feiner Poesie’, Salzburger Nachrichten
April 18, 1996

Pepe Karmel, The New York Times
January 5, 1996

Alicia Faxon, ‘Figuration Forward’, Art New England
June-July 1996

Eleanor Rait, Recent Acquisitions 1991-1995, pub. Hofstra Museum
1995 (catalog)

‘Catherine Lee’, Sankei, Tokyo
December 31, 1995

Helmut Friedel, ‘Color is Indeed a Body’, pub. Mizuma Gallery, Tokyo
1995 (catalog)

Marjaana Toiminen, ‘Retretin Kesa: U. S. Print’, Grafiikanlehti, Finland
May 23, 1995

Oystein Hjort, ‘Between Sculpture and Painting’, Politiken, Copenhagen
February 3, 1995

Eva Pohl, ‘Infinity in Perspective’, Berlingske Tidende
January 20, 1995

David Carrier, ‘Studio: Catherine Lee’, Sculpture
November 1994

Marsha Miro, ‘Painting and Sculpture’, Detroit Free Press
March 11, 1994

‘La Differenzia Tra i Sesi Nell’Arte’, Tema Celeste
Winter 1994

Judith Trepp, ‘Zurich, 5 One man Shows’, Art News
January, 1994

Daniel Kurjakovic, ‘Frischer Wind von Westen’, Zurichsee-Zeitung
Sept 11, 1993

Faye Hirsch, ‘Catherine Lee at Galerie Lelong’, Art in America
September 1993

‘Prints and Photographs’, The Print Collector’s Newsletter
July-August 1993

Hans W. Langwallner, ‘Ex Nihilo. Day and Night’, Nike, München
August 1993

Angelo Trimarco, ‘Italia-America’, Tema Celeste
autumn 1993

Arturo Schwartz, ‘Una Mostra da Non Perdere’, Segno
summer 1993

David Carrier, ‘Italia-America’, Segno, Pescara, Italy
summer 1993

Partners, pub. Annely Juda Fine Art, London 
1993 (catalog)

Carla Steininger, ‘Back to the Elementary Prerequisites of Art’, Salzburger Nachrichten
April 15, 1993

Demetrio Paparoni, ‘The Self-Regulation of the System’, Italia-America, L’astrazione Ridefinita, Galleria Nazionale d’Arte Moderna, San Marino, Italy
1993 (catalog)

Danile Kurjakovic, ‘Frischer Wind von Westen’, Zürichsee-Zeitung
September 11, 1993

‘Catherine Lee’, The Print Collector’s Newsletter
July/Aug 1993

Catherine Lee,  pub. Galerie Academia, Salzburg, Austria
1993 (catalog)

Enrique Juncosa, ‘Catherine Lee’, Lapiz, Madrid
May 1993

Gill Saunders, ‘Sculpture with it’s Back to the Wall’, Women’s Art Magazine, London
May 1993

William Feaver, ‘Catherine Lee’, The Sunday Observer, London
March 21, 1993

Catherine Lee,  pub. Annely Juda Fine Art, London
1993 (catalog)

David Carrier, ‘La vita delle forme nell’arte di Catherine Lee’, Titolo, Perugia
Autumn 1992

Elio Cappuccio, ‘Verso Bisanzio, Con Disincanto’, Sergio Tossi Arte Contemporanea, Prato, Italy
1992 (catalog)

Gerhard Finckh, Geteilte Bilder – Das Diptychon in der neuen Kunst, Museum Folkwang, Essen, Germany
1992 (catalog)

Sister Wendy Beckett, Art and the Sacred, Random Century, Sydney, Australia

Catherine Lee, Galerie Academia, Salzburg
1992 (catalog)

Jacqueline Brody, The Print Collector’s Newsletter
July/August 1992

Peter Moseneder, ‘Ausgestossen’, Nachrichten, Linz
December 4, 1992

Peter Klimitsch, ‘Austellung, Catherine Lee’, Kurier, Linz, Austria
December 3, 1992

Oystein Hjort, ‘Forfinet Forhold til Farven’ Politiken, Copenhagen
December 8, 1992

Torben Weirup, ‘En Amerikaner i Copenhagen’, Berlingske Tidende
November 22, 1992

Catherine Lee, ‘The Question of Gender in Art’, Tema Celeste
Autumn 1992

Maribel Koniger, ‘Catherine Lee’, Tema Celeste
Autumn 1992

Joachim Goetz, ‘Der Bildgrund und die Oberfläche’, Trostberger Tagblatt
June 19, 1992

Barbara Reitter, ‘Mit Sauer und Feuer’, Bayerische Staatszeitung, München
June 12, 1992

Alexander Hosch, ‘Archaische Mittel, Postmoderne Kunst’,
also appeared in: Rottaler Anzeiger / Grafenauer Anzeiger / Alt-Neuöttinger Anzeiger / Deggendorfer Zeitung / Bayerwald-Bote Regen / Passauer Neue Presse
June 6, 1992,

Gert Gliewe, ‘Catherine Lee im Lenbachhaus’, Abendzeitung, München
June 2,1992

Barbara Reitter, ‘Catherine Lee im Lenbachhaus’, Donau-Kurier
May 22, 1992

Claudia Jaeckel, ‘Die Freiheit des Geistes’, Süddeutsche Zeitung, Munich;
also Ebersberg / Starnberg / Bad Tölz
May 26, 1992

Helmut Friedel, ‘Catherine Lee’, Outcasts, New Works by Catherine Lee’, Städtische Galerie im Lenbachhaus, Munich
1992 (catalog)

David Carrier, ‘The Life of Forms in Catherine Lee’s Art’, Outcasts, New Works by Catherine Lee, Städtische Galerie im Lenbachhaus, Munich
1992 (catalog)

Demetrio Paparoni, ‘Conversazione con Catherine Lee’, Tema Celeste, Italian edition
Autumno 1992

Robert C. Morgan, ‘The New Endgame’, Tema Celeste
February 1992

Petra Kipphof, Journal
January 1992

Kanpo, Tokyo (cover illustration)
November 1991

‘Art for Children’s Survival’, Unicef
1991 (catalog)

Anne Rüegsegger, ‘Catherine Lee’, Artis
May 1991

‘IIIème Biennale de Sculpture’, Monte Carlo
1991 (catalog)

‘Height Width Length’, Weatherspoon Art Gallery, University of North Carolina
1991 (catalog)

Geraldine Norman, The Independent, London
September 24, 1990

David Carrier, Art International
Summer 1990

Walter Thompson, Art in America
June 1990

Frances de Vuono, Art News
May 1990

Peggy Cyphers, Arts Magazine
March 1990

‘XX Century Sculptures’, Galerie Academia, Salzburg
1990 (catalog)

Susan Tallman, ‘Contemporary Woodblock Prints’, Jersey City Museum, NJ
1989 (catalog)

Dan Sundell, Hufvudstadsbladet, Helsinki
December 11, 1989

Timo Valjafka, Helsingin Sanomat, Helsinki
December 6, 1989

Christine Temlin, The Boston Globe
July 27, 1989

Pamela Auchincloss, ‘Geometry and Abstraction’, Persons/Lindell Gallery, Helsinki
1989 (catalog)

William Feaver, The Observer, London
April 12, 1989

Mary Rose Beaumont, Arts Review
March 24, 1989

William Packer, The Financial Times, London
March 21, 1989

Stephen Westfall, ‘Catherine Lee’, Annely Juda Fine Art
1989 (catalog)

Susan Tallman, ‘The Woodcut in the Age of Mechanical Reproduction’, Arts Magazine
January 1989

Cathy Curtis, The Los Angeles Times
July 1, 1988

Phyllis Plous, ‘Monotypes Today’, Collaborations in Monotype, University Art Museum, University of California, Santa Barbara, CA
1988 (catalog)

Patricia Lowry, The Pittsburgh Press
February 23, 1988

Bill Holmsak, Tribune Review, Greensburg, PA
February 14, 1988

John Caldwell, Ten Americans, Carnegie Museum of Art
1987 (catalog)

Josef Woodward, Santa Barbara News Press
August 29, 1987

Barry Schwabsky, Arts Magazine
Summer 1987

John Russell, The New York Times
April 17, 1987

‘Catherine Lee’, John Davis Gallery
1986 (catalog)

‘Art on Paper’, Weatherspoon Art Gallery, University of North Carolina
1986 (catalog)

David Carrier, Art in America
October 1986

Dan Cameron, ‘Report from the Front’, Arts Magazine (photo)
Summer 1986

Tiffany Bell,  Arts Magazine
Summer 1986

Susan Fisher, New Art Examiner
June 1986

Kay Larson, New York Magazine
May 19, 1986

John Russell, ‘Bright Young Talents’, The New York Times
May 18, 1986

John Russell, The New York Times
May 2, 1986

Steven Reynolds, Texans Past and Present, University of Texas
1986 (catalog)

‘Centennial Exhibition’, MCAD, Minneapolis Institute of Art
1985 (catalog)

Vivian Raynor, The New York Times
July 26, 1985

‘Contemporary Abstract Painting’, Center for the Arts, Muhlenberg College
1983 (catalog)

David Carrier, ‘Catherine Lee’, Arts Magazine
Summer 1984

John Russell, The New York Times
May 11, 1984

William Zimmer, Catherine Lee, University of Texas
1983 (catalog)

Jan Tips, San Antonio Express News
May 1, 1983

Vivian Raynor, The New York Times
October 10, 1982

Daniel Grant, Newsday (photo)
February 28, 1982

Robert C. Morgan, ‘Abstract Painting, the New Pictorialism’, New Directions, Museum of Art, Ft Lauderdale
1981 (catalog)

Sam Hunter,  New Directions, Museum of Art, Ft Lauderdale
1981 (catalog)

John Russell, The New York Times
July 19, 1981

John Ittner, The New York Post
December 14, 1979

Hilton Kramer, The New York Times
December 14, 1979